Because you don’t want to make a movie and it doesn’t work.Ī good way was to get it drawn and then put it into panels, look at the panels, and maybe have sound to it and voices, and kind of see what people were going to watch.įrom there, it made its way into big films. In that time period, Walt Disney did some shorts for movie theaters like Silly Symphony and Plane Crazy with Mickey Mouse, and some of the artists there developed a way to kind of see the movie before the movie was made so that they could save money. New York was the hub of animation in the 1920s and ‘30s, and what happened was Disney paid a lot better, so a lot of people went out to California (and the weather was nicer). You had some studios in New York that were doing animation, like the Fleischer brothers, but Walt Disney is credited with doing storyboards for his animated cartoons in black and white in the 1930s. It goes back to the 1930s and Walt Disney. You want everybody to be on the same page. You’re jotting down camera moves, maybe some acting, some story elements, so that everyone can follow. The purpose of storyboarding is basically to draw and put the vision of the Director on paper. Not only would that greatly slow down the filmmaking process, but also it would almost certainly result in time overages and additional expense. Without a storyboard to help lead the way, a film set can easily and quickly devolve into chaos, as it would mean those individuals deciding then and there what to do. Two, storyboards are central to keeping a film production on time and budget, which is why there’s no such thing as too much planning! While a Director or Cinematographer might change their mind once on set about how a certain sequence is to be shot, overall a storyboard and accompanying shot list are adhered to very closely because it’s all about staying on schedule. Storyboards give Filmmakers the opportunity to sketch exactly how each scene will look to avoid later confusion and frustration. What is read in a script could be interpreted in a number of ways, and how a Director envisions that script might be very different from how the Cinematographer is imagining it. These are just two facets of filmmaking that make storyboards a vital part of it.įor one, everyone involved with how a film will be shot needs to be on the same page about how exactly it is going to look. To be sure, filmmaking is a creative process, but it also requires considerable preparation and planning 2.Ĭonsider the number of locations used for a film or the number of shots for each scene. Between script and screen are many steps in-between.
0 Comments
Leave a Reply. |